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Upon its release in 1853 by Firth, Pond & Company, "My Old Kentucky Home, Good-Night" grew quickly in popularity, selling thousands of copies. After years of financial instability and the sharing of memories of the White Cottage with Stephen by his parents and siblings, the impact of longing for a permanent home that was no longer available to him greatly influenced his writing. The family was financially supported by the family patriarch William Foster, who owned vast holdings, which were lost through bad business dealings that left the family destitute and unable to keep possession of the White Cottage the family was forced to leave the estate when Stephen Foster was three years old. Biographers believe that this common theme originated from the loss of Foster's childhood home, known as the "White Cottage", an estate his mother referred to as an Eden, in reference to the Garden of Eden. The song "My Old Kentucky Home, Good-Night!" is one of many examples of the loss of home in Foster's work. Charlotte died in the home of George Washing Barclay, a cousin of both families, with Atkinson Hill Rowan at her bedside.
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While Charlotte lived with the Rowan family, Atkinson Hill Rowan made a proposal of marriage to her, which she ultimately declined.
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The Foster and Rowan family's close relationship appears to have been initiated through Stephen's sister Charlotte, who stayed with the Rowans at Federal Hill in 1828. No evidence exists to confirm that Foster was inspired by imagery seen at Federal Hill for the song's composition, and the imagery in the song does not include any specific markers to Federal Hill. In his notebook, Foster penned the lyrics inspired by Stowe's novel, initially named "Poor Old Uncle Tom, Good-Night!" Foster ultimately removed references to Stowe's book, renaming the work, "My Old Kentucky Home, Good-Night!"įoster's brother Morrison indicated in correspondence in 1898 that Foster was an "occasional visitor" to the plantation of their cousins the Rowan Family known as, Federal Hill. The novel, written about the plight of an enslaved person in Kentucky, had a profound effect on Foster's future songwriting by altering the tone of his music to sympathize the position of the enslaved person. Foster was greatly inspired by Harriet Beecher Stowe's abolitionist novel Uncle Tom's Cabin, which appeared in bookstores in Foster's hometown of Pittsburgh, Pennsylvania in March 1852. It also is an example of the common theme of the loss of home, which is prevalent throughout Foster's work. The creation of the song "My Old Kentucky Home, Good-Night!" established a decisive moment within Stephen Foster's career in regard to his personal beliefs on the institution of slavery as following the publishing of the song, Foster abandoned minstrelsy and writing music with African-American vernacular. However, the song’s publication as a minstrel song and inclusion in blackface minstrel shows, “Tom shows” (stagings of Stowe’s novel of varying degrees of sincerity and faithfulness to the original text), and other settings, have clouded its reception.
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Frederick Douglass wrote in his 1855 autobiography My Bondage and My Freedom that the song "awakens sympathies for the slave, in which antislavery principles take root, grow, and flourish". Foster was likely inspired by Harriet Beecher Stowe's anti-slavery novel Uncle Tom's Cabin, as evidenced by the title of a sketch in Foster’s sketchbook, “Poor Uncle Tom, Good-Night!” It was published in January 1853 by Firth, Pond, & Co. " My Old Kentucky Home, Good-Night!" is a sentimental ballad written by Stephen Foster, probably composed in 1852.